The first season of Killjoys ended a month ago and I still can’t stop thinking about it. Most shows take a few episodes to find their footing but Killjoys runs full tilt from scene one. This show achieves the perfect trifecta—plotting, character, and world. We’ll start with that last one.
1—A Fully Realized World and its Moons
I cannot say enough about the world-building in Killjoys. We get plopped down right into the middle of the Quad, with it’s class distinctions, complex politics, intriguing religion, and the RAC and its eponymous Killjoys right in the middle of it. There’s no info-dumping or stops to explain, we just get swept along with the pieces and players in their intricate dance. There’s a tapestry of history we only catch teasing glimpses of but it’s never so little as to leave the audience feeling lost—at least I wasn’t, but I’m used to picking things up from context. And that context surrounds the stories and characters of Killjoys. Continue reading “Killjoys — SyFy’s Greatest Scifi Show Yet”