The Creative Penn has an excellent blog and podcast. The podcast, which I’ve been working my way through in reverse chronological order, currently has over four-hundred casts, most of which are approximately one hour long. So a nice long listen. Continue reading “Yet More Tangential Links”→
Julie & Julia is the simultaneous stories of Julia Child learning to cook and publishing her landmark book, Mastering the Art of French Cooking, and Julie Powell in 2002, who decides to spend a year making all the recipes in the book and blog about it.
Julia Child moves to Paris with her husband Paul, who works for the American government and was stationed there. Julia falls in love with the people and food and decides to attend Le Cordon Bleu. While at a party, she meets Simone Beck and Louisette Bertholle, who are writing a cookbook—a cookbook which needs to be rewritten. They ask Julia for help. After many trials, the book finally finds a home with Alfred A. Knopf and is published. Along the way, her sister gets married, her husband is interrogated by the government he serves (this was the McCarthy era), and she meets a pen pal. Continue reading “Julie & Julia—Two Stories, Only One of Which I Liked”→
Janice Hardy’s Fiction University is a great place to get writing advice, with a nice list of subjects in the lefthand column, as well as a list of most popular posts. There are plenty of guest posts, and she also does a mini-series called Real Life Diagnostics where she diagnoses a real work in progress and answers the submitter’s questions. Continue reading “More Tangential Links”→
Bram Stoker’s Dracula, directed by Francis Ford Coppola, is a horror movie based on the book Dracula by Bram Stoker. The movie takes plenty of liberties though, like making Mina and Dracula love interests. Despite the music, I didn’t find it particularly romantic. Trigger warning for the movie for rape—Lucy was compelled against her will, so yes, it’s rape.
Dracula sets off to battle and comes home to his beloved Elisabeta having committed suicide, having been lead to believe that Dracula was dead. Enraged at being told Elisabeta’s soul is condemned, Dracula busts up the chapel and denounces God. Fast-forward four-hundred years and Jonathan Harker, played dismally by Keanu Reeves, goes to Transylvania with a picture of Mina, who just happens to be the twin—implied to be the reincarnation—of Elisabeta. When Dracula gets to England, he seeks out Mina, and rapes and murders her dearest friend Lucy while wooing Mina. I’m still not clear why Mina stopped being rude to him, she had every right. And that’s just one of the disjointed elements of this movie. The dialog at the beginning especially, between Dracula and Jonathan, and between Dracula and the female vampires seems…just off. Continue reading “Bram Stoker’s Dracula—Wants to be Romantic but Isn’t”→
The Golden Compass is based off the book of the same name. It follows Lyra Belacqua as she seeks the truth behind the Magesterium and the reason they’ve been kidnapping children.
There’s a lot of world-building going on in this movie. Lyra lives in a world parallel to ours, where people’s souls live outside their bodies in the form of daemons, which take the shapes of animals—animals that can change shape while a person is still a child. There’s the Magisterium, a church who controls most of the world, but not Jordan College—though the college and its free-thinking traditions feel under threat. There’s Dust, about which we sadly get to know little, only that it’s connected to the soul and adulthood. There are the witches, who can fly and whose daemons can travel further from them than humans’s can. And of course, there’s the Golden Compass itself, a machine that can divine the truth of anything and which is a great threat to the Magisterium—Lyra comes into possession of the last one. And there’s so much more. Continue reading “The Golden Compass (movie)—Beautiful and Complex”→