The Wolf Man is a horror film by Universal Studios. Larry Talbot returns home after his brother’s death and gets bitten by a werewolf, thus becoming a werewolf himself. Things go even more south when he sees the mark of the pentagram (really just a star) on his would-be girlfriend Gwen’s hand, a sign that she’s his next victim.
1—Larry Talbot is a Creep
Larry first sees Gwen through his father’s telescope, which ok, accidental spying for a moment, that happened. Where it crosses the line into creep territory is when he goes to her father’s antique shop and asks for a pair of earrings as a gift, then describes the earrings he saw her wearing through the telescope and of course she has earrings like that, they’re upstairs on her dressing table. Then when she asks how he knows that, Larry tells her he’s psychic about pretty girls. Later, when she’s said no to a date with him twice, and that she’s engaged to someone else, he still persists. That Gwen does seem to have a thing for Larry doesn’t make this any better, it just makes me think she’s an idiot. Continue reading “The Wolf Man (1941)—Melodramatic”→
Julie & Julia is the simultaneous stories of Julia Child learning to cook and publishing her landmark book, Mastering the Art of French Cooking, and Julie Powell in 2002, who decides to spend a year making all the recipes in the book and blog about it.
Julia Child moves to Paris with her husband Paul, who works for the American government and was stationed there. Julia falls in love with the people and food and decides to attend Le Cordon Bleu. While at a party, she meets Simone Beck and Louisette Bertholle, who are writing a cookbook—a cookbook which needs to be rewritten. They ask Julia for help. After many trials, the book finally finds a home with Alfred A. Knopf and is published. Along the way, her sister gets married, her husband is interrogated by the government he serves (this was the McCarthy era), and she meets a pen pal. Continue reading “Julie & Julia—Two Stories, Only One of Which I Liked”→
Bram Stoker’s Dracula, directed by Francis Ford Coppola, is a horror movie based on the book Dracula by Bram Stoker. The movie takes plenty of liberties though, like making Mina and Dracula love interests. Despite the music, I didn’t find it particularly romantic. Trigger warning for the movie for rape—Lucy was compelled against her will, so yes, it’s rape.
Dracula sets off to battle and comes home to his beloved Elisabeta having committed suicide, having been lead to believe that Dracula was dead. Enraged at being told Elisabeta’s soul is condemned, Dracula busts up the chapel and denounces God. Fast-forward four-hundred years and Jonathan Harker, played dismally by Keanu Reeves, goes to Transylvania with a picture of Mina, who just happens to be the twin—implied to be the reincarnation—of Elisabeta. When Dracula gets to England, he seeks out Mina, and rapes and murders her dearest friend Lucy while wooing Mina. I’m still not clear why Mina stopped being rude to him, she had every right. And that’s just one of the disjointed elements of this movie. The dialog at the beginning especially, between Dracula and Jonathan, and between Dracula and the female vampires seems…just off. Continue reading “Bram Stoker’s Dracula—Wants to be Romantic but Isn’t”→
The Golden Compass is based off the book of the same name. It follows Lyra Belacqua as she seeks the truth behind the Magesterium and the reason they’ve been kidnapping children.
There’s a lot of world-building going on in this movie. Lyra lives in a world parallel to ours, where people’s souls live outside their bodies in the form of daemons, which take the shapes of animals—animals that can change shape while a person is still a child. There’s the Magisterium, a church who controls most of the world, but not Jordan College—though the college and its free-thinking traditions feel under threat. There’s Dust, about which we sadly get to know little, only that it’s connected to the soul and adulthood. There are the witches, who can fly and whose daemons can travel further from them than humans’s can. And of course, there’s the Golden Compass itself, a machine that can divine the truth of anything and which is a great threat to the Magisterium—Lyra comes into possession of the last one. And there’s so much more. Continue reading “The Golden Compass (movie)—Beautiful and Complex”→
The NeverEnding Story is a movie about a bullied boy who recently lost his mother and who finds a magic book. It’s also about the adventures of the boy-warrior in the book as he tries to save his world from destruction by the Nothing.
The look of The NeverEnding Story is spectacular, with lots of makeups and gorgeous scenery. There’s the Ivory Tower, a glowing needle-like spire topped with a stone flower of a castle, surrounded by a hollow mountain. There’s the Swamps of Sadness and and a river with man-sized crystals growing beside it, the gigantic sphinxes of the Southern Oracle, and spectacular cloudscapes. There’s all the creatures in the movie too—a giant Rock Biter and ra acing snail, gnomes, the creepy wolf-like Gmork, and the beautiful Luck Dragon Falkor. Atreyu looks just like a normal human boy though, presumably to increase audience identification. The music is pretty awesome too. Continue reading “The NeverEnding Story (movie)—Holds Up Pretty Well”→
The Hitchhiker’s Guide to the Galaxy movie is a science fiction comedy that follows Englishman Arthur Dent and alien Ford Prefect after the Earth has been destroyed to make way for a hyperspace bypass. The movie is punctuated with humorous asides from the titular Hitchhiker’s Guide, which Ford writes for.
1—Beginning Again After the End of the World
Arthur wakes up to find bulldozers outside his house. Shortly thereafter, the Earth is surrounded by a Vogon Constructor Fleet and destroyed. But before that destruction, Ford and Arther hitch a ride on one of the spaceships—and shortly after that, they’re captured and subjected to Vogon poetry. After then getting tossed out of an airlock, Ford and Arthur are improbably rescued by Zaphod Beeblebrox, the President of the Galaxy who has stolen a ship with an improbability drive and kidnapped himself, and Trillian, a girl Arthur met once at a costume party. The improbable adventures continue from there. Continue reading “The Hitchhiker’s Guide to the Galaxy (movie)—Improbable Fun”→
Mamma Mia! is a musical romantic comedy utilizing the songs of ABBA. It follows Sophie as she tries to discover which of three men is her father so that one of them can give her away at her wedding.
The plot is a little convoluted. After finding her mother’s diary from the summer during which she was conceived, Sophie invites all her potential fathers—Sam, Harry, and Bill—to her wedding without informing her mother Donna. When the men coincidentally arrive at Kalokairi together, Sophie must explain to them that they weren’t in fact invited by Donna, and also can’t tell her that Sophie invited them to the island. Donna’s two best friends also arrive on the island. From there…it gets hard to explain. There are further misunderstandings and secrets kept, and love affairs, and it’s all set to music. Continue reading “Mamma Mia!—Strange and Silly”→
The Emperor’s New Groove is a Disney Movie that follows the Emperor Kuzco after he’s cursed and becomes a llama. He then has to rely on the peasant Pacha whose home he’d planned on destroying. It’s a buddy comedy that makes the most of using humor to get away with any and everything.
We start the movie off with Emperor Kuzco narrating how his life got so off-track. He occasionally stops the story to do things like scribble over the top of it. Also, we get one instance of story-Kuzco arguing with narrator-Kuzco, with is very meta. There are plenty of anachronisms, like an electric floor buffer, and animals that don’t belong in a jungle, like a squirrel. During the final chase scene, Yzma and Kronk get taken out by a very localized lightning storm, only to reappear at Yzma’s secret lab and not know themselves how they got there. But oh well, on with the assassination attempt! The visual gags and use of “cartoon” physics just works in this movie. Continue reading “The Emperor’s New Groove—Ridiculous Nonsense in the Best Way”→
Van Helsing, directed by Stephen Sommers, follows the titular character as he fights Dracula, the Wolf-Man, and Frankenstein’s Monster. The horror movie is both tribute and homage to the classic Universal Horror movies, as well as the original books.
The plot is as follows—Dracula—played by Richard Roxburgh—commissioned Dr. Frankenstein to create a creature to power a machine that would bring to life the children of Dracula and his brides. They’re nasty little monsters birthed by the hundreds and would destroy all human life. Enter Van Helsing—played by Hugh Jackman—sent by the Vatican to save the souls of the Valerious family. Their ancestor swore they’d not enter heaven until Dracula was killed, and there are only two members of the family left. There’s also a mysterious link between the amnesiac Van Helsing and Dracula. And oh yes, they have to figure out how to finally kill Dracula. Continue reading “Van Helsing—Monster Mash-Up”→
Mary and the Witch’s Flower is an animated children’s fantasy film directed by Hiromasa Yonebayashi and produced by Studio Ponoc. It follows Mary Smith as she finds the rare fly-by-night flower, also known as the witch’s flower, which gives her temporary magical powers.
1—The Start of an Adventure
We start off with a building engulfed in flames and a young woman running, and then flying on a broomstick, away. She crashes and the magic seeds she’s carrying go flying off into the woods. Fast forward some years later, and we come to Mary, a bored little girl who’s moved in with her great aunt. She’s waiting for for her parents to move out there as well and for school to start so other kids will be in the village for her to play with. A pair of cats lead her to a mysterious flower, which she picks and brings home. Later, one of the cats leads her to a broom stuck in the undergrowth. That same cat then gives her a bud from the flower and Mary accidentally squashes it, getting sticky stuff all over her hands and the broom handle. Strange marks appear on Mary’s palms, and the broomstick takes off with Mary and the cat, taking them through the clouds to Endor College for Witches, where the first rule is “trespassers will be transformed.” Continue reading “Mary and the Witch’s Flower—Flights of Fancy”→