I just finished reading Manners and Mutiny, the fourth and final book in Gail Carriger’s Finishing School series, which charts the education of Sophronia through her years aboard a floating school for young women intelligencers (spies). Set in the same world as Gail’s The Parasol Protectorate series and the Custard Protocol series, and before either, Finishing School is a YA (young adult) series every bit as wickedly intelligent and fun as her adult novels.
1—Manners Made Interesting
When fourteen-year-old tomboy Sophronia Temminnick learns she’s being sent away to finishing school, she’s horrified. But the lessons at Madamoiselle Geraldine’s Finishing Academy for Young Ladies of Quality are far from ordinary. Flower arranging is done with as much care to concealment as to beauty. Perfume is used for blinding the eyes as well as enticing the nose. And when choosing a dress, one must consider the event, the current styles, and if the fabric will show bloodstains. Continue reading “The Finishing School Series—Stylish Steampunk Espionage”→
I’ve got two weeks of finals this semester, and I’ve been having some health issues. Nothing that can’t be fixed, but I just can’t get into the frame of mind for a story analysis this week. So here, in no particular order, are some of my most-hated pet peeves.
1—Serial Killer Nemesis
I’m so sick of this trope, mostly this is due to over-exposure. I’ve seen it in multiple shows—mostly crime shows—but some others too. Bones, in particular, had one every freaking season. I finally had enough and stopped watching. Some shows, even ones I’d heard good things about, I refused to even start watching. This same problem can be found in book series—again, mostly the crime genres—and likewise I’ve refused to read some because of it. Continue reading “The Un-Book Reporter’s Pet Peeves”→
Burn Notice is a snarky spy-thriller series about Michael Weston, a blacklisted spy trapped in Miami who helps out hapless citizens while he tries to figure out who ruined his life, and why. When the show originally aired, I followed it through the end of season four. I’ve lost my faith that TV series’s will actually have a proper ending, so I’ve taken to quitting them at points where I figure I’ve gotten as close to an actual end as I’ll get. My mom kept watching though, and she told me the series does actually get an ending to the story, so I’ve started watching from the beginning on Netflix. So here’s my thoughts on the series up through the end of season four. I’ll do a second part when I’ve watched the last three seasons.
1—Why Michael Won’t Kill
Of course, there’s the obvious reason—for Michael to stay a Hero, killing isn’t allowed. At least not for a show that isn’t dark as pitch in tone. The Hero has to maintain audience sympathy. But re-watching, I’ve noticed there’s an actual character motive for this too. Especially when it would be safer and easier for all involved to just blow someone’s head off. Continue reading “Burn Notice—Part One—Explosive Series”→
Despite cringing at the use of the word “till” instead of the shortening of “until”—’til—I sat down a few nights ago intending to watch just one episode of From Dusk till (cringes) Dawn: the Series. And then I looked up and realized I’d watched the whole season. Here’s why.
A spin-off of TNT’s three Librarian movies, The Librarians is a fun, mostly light-hearted adventure series. I say mostly, because while there’s no gore or heavy-handed drama here that only serves to make the deep moments stand out. But we’ll start with the fun stuff!
The first couple episodes are spent on the set up, which is nice since there’s a lot to introduce and I hate it when introductions get rushed or flow like molasses. For a series with five main characters, and a sinister cabal as the reoccurring villains, two episodes is perfect. The Serpent Brotherhood start murdering all the people who tried out to the Librarian last time but didn’t make the cut. So our hero, Flynn, along with his new Guardian, goes off to locate and protect the survivors who will later become Librarians-in-training. The succeed in that but fail in preventing the Serpent Brotherhood from returning magic to the world, and loose the Library in the process. So the trainees are working out of the Annex while Flynn tries to bring the Library back from inter-dimensional limbo. Did I mention this is just in the first two episodes? Continue reading “The Librarians—Bookworms Kick Ass”→
The first season of Killjoys ended a month ago and I still can’t stop thinking about it. Most shows take a few episodes to find their footing but Killjoys runs full tilt from scene one. This show achieves the perfect trifecta—plotting, character, and world. We’ll start with that last one.
1—A Fully Realized World and its Moons
I cannot say enough about the world-building in Killjoys. We get plopped down right into the middle of the Quad, with it’s class distinctions, complex politics, intriguing religion, and the RAC and its eponymous Killjoys right in the middle of it. There’s no info-dumping or stops to explain, we just get swept along with the pieces and players in their intricate dance. There’s a tapestry of history we only catch teasing glimpses of but it’s never so little as to leave the audience feeling lost—at least I wasn’t, but I’m used to picking things up from context. And that context surrounds the stories and characters of Killjoys. Continue reading “Killjoys — SyFy’s Greatest Scifi Show Yet”→